Want to learn how to mix music in Dolby Atmos? In this free expert tutorial, Matt Lange walks you through, in detail, how he mixes a track in Dolby Atmos. He has made the Pro Tools Session available for you to download for free. Don’t worry if you don’t have Pro Tools Ultimate or the Dolby Atmos Production Suite because there is a free 30-day trial bundle available as well.
Matt Lange Multi-platinum producer, composer, musician, and DJ Matt Lange recently released “This Is All We Have”—his first song written from the ground up to take advantage of Dolby Atmos. To give you a feel for how a Dolby Atmos session is set up, Matt made a demo of this Pro Tools session available for download. Plus, he recorded a step-by-step tour of his mix, so you can follow along as he shares his approach and techniques for mixing audio objects in the immersive space.
In this 2 part video free video tutorial series, Matt Lange takes you on a tour of the mix of “This Is All We Have” and shares his techniques for mixing audio objects in the immersive space.
Get The Trial Bundle With the Software And The Session
Want to try it yourself? You can dive in with an actual Pro Tools Dolby Atmos session from DJ/producer Matt Lange to see, hear, and explore it for yourself with the free bundle…
The free Dolby Atmos Music Trial Package includes:
Avid Pro Tools | Ultimate software (30-day trial)
Dolby Atmos Production Suite (30-day trial)
Dolby Atmos Music Panner and Binaural plugins
Pro Tools Atmos demo session of Matt Lange’s “This Is All We Have”
Matt Lange video tour of his Pro Tools demo session
About the Matt Lange Dolby Atmos demo session
Click on the button below and complete the form to get access to the session, all of the software needed to mix in Dolby Atmos, plus additional content to help you get up to speed quickly.
Want To Know More About Mixing Music In Dolby Atmos? Check These Out…
In this article, kindly written for us by Dr. Helmut Wittek, CEO of Schoeps, we explore issues and techniques around recording live performances using microphone arrays designed for capturing in immersive formats like Dolby Atmos.
In this article we collate some recommendations from the team for tracks mixed in Dolby Atmos which we feel represent the potential of Dolby Atmos for music. If you are one of the many out there who are yet to be convinced by the format, check these out. If you are already enjoying music mixed in Atmos, why not share your recommended tracks?
In this article Julian highlights a video in which Bob Clearmountain shared his methods and approach when remixing recordings of The Band from 1968. The simple approach belies the cutting edge technology used to separate the material on the multitrack.
It is just a matter of weeks since Virtuoso first came to Julian’s attention courtesy of Mark Gittins’ excellent review but he appears to have been influenced by Mark’s positivity as he’s been testing Virtuoso for a couple of weeks now and he’s in!
Following up on our recent round-up of primo Dolby Atmos-enabled effects for music and media production, we take a look at some of the less overtly ‘exciting’ software utilities that are essential for getting the immersive job done.
This detailed video created by friend of the blog Alex Solano shows his template structure which features a method for creating a workaround using folder tracks and routing to allow a conventional stereo-style bus processing workflow. Alex’s template also offers a straightforward method for incorporating hardware processing and easy monitoring of re-renders and references.
A common criticism of Dolby Atmos is that it is impractical to present immersive audio in the home and the only way most listeners will experience it is over headphones. However in too many cases stereo has exactly the same issue. What is the problem and what does it mean?
In this article, Roger Guerin breaks down what you need to know if you are moving to Dolby Atmos, from hardware through to adjusting your mixing template, through to deliverables.
At the beginning of the month we asked our audience of professional mixers how often they were asked for immersive mixes and how they charged for them. We have the results and they make for interesting reading.
If you’re mixing professionally are you finding requests for immersive mixes common or are you having to promote the format to your clients? Take our poll and share your experience.
In this exclusive everything-you-need-to-know guide to mixing music in Dolby Atmos we look at what it takes to make your studio suitable, as well as our exclusive 6 part tutorial series on setting up and using Pro Tools Ultimate and Dolby Atmos Production Suite to work together in Dolby Atmos.
What is the point in creating content in Dolby Atmos if consumers do not have the equipment to take advantage of the immersive object-based format? In this article, we will investigate the take-up and benefits of delivering content to the consumer in Dolby Atmos.
Following our article Dolby Atmos Home Entertainment - Everything You Need To Know we were asked about the business model behind upgrading to Dolby Atmos. In this article we outline the business case for Dolby Atmos by asking industry experts, mixing in Dolby Atmos to share their business reasoning for investing in Dolby Atmos.
In this video from NAMM 2020, Avid’s application specialist, Jeff Komar takes an in-depth look at working on music projects with Dolby Atmos natively, in Pro Tools, with the power of HDX, Avid S4, and MTRX. Watch to see Jeff give some insights into techniques for mixing music for Dolby Atmos.
Universal Music and Dolby remix some of the world’s most popular music in Dolby Atmos using Avid S6 and Pro Tools | HDX. In this video, Avid brought together a panel of practitioners already mixing music in Dolby Atmos hosted by Avid Product Specialist Jeff Komar.
During the Avid Connect Live event at Summer NAMM in Nashville, Avid ran a number of panels and training sessions, some of which were streamed and recorded. In this article we have the video with a panel of specialists looking at mixing music in Dolby Atmos followed by a training video in which Mix Engineer Colin Heldt shows how to mix music in Dolby Atmos.
In this series of free video tutorials, brought to you with the support of Avid, Post-Production Specialist and Immersive Audio expert, Alan Sallabank shares tips and tricks to help you get to grips with the audio post-production workflows for content to be delivered in Dolby Atmos Home Entertainment, which will be especially useful if you are delivering to the likes of Netflix and Amazon. In part 6, we progress to the end game - Mastering.
In this free video tutorial, brought to you with the support of Avid, looking at Dolby Atmos Home Entertainment workflows, Rerecording Mixer and Post-Production Expert Alan Sallabank, looks at best practice when using immersive upmixing and reverb plug-ins, with a firm focus on ensuring downmix compatibility.
In this series of free video tutorials, brought to you with the support of Avid, Post-Production Specialist and Immersive Audio expert, Alan Sallabank shares tips and tricks to help you get to grips with the audio post-production workflows for content to be delivered in Dolby Atmos Home Entertainment, which will be especially useful if you are delivering to the likes of Netflix and Amazon. In part 4, we are taking a look at managing loudness in your Dolby Atmos Home Entertainment mixes to ensure that your mixes sound right whatever they’re played on.
In this series of free video tutorials, brought to you with the support of Avid, Post-Production Specialist and Immersive Audio expert, Alan Sallabank shares tips and tricks to help you get to grips with the audio post-production workflows for content to be delivered in Dolby Atmos Home Entertainment, which will be especially useful if you are delivering to the likes of Netflix and Amazon. In part 3, we look at an alternative (and some may say “off-piste”) and definitely “not qualified by Avid” way of getting the best out of the Dolby Atmos Production Suite and Pro Tools Ultimate, including being able to bring the re-render outputs back into the same Pro Tools session all on one machine.
In this free video tutorial, the second in a series of 6 brought to you with the support of Avid, looking at Dolby Atmos Home Entertainment workflows, we cover the workflows recommended by Avid and Dolby, relating to using the Dolby Audio Bridge and the Dolby Atmos Production Suite.
In this series of 6 articles, Post-Production Specialist and Immersive Audio expert Alan Sallabank will be sharing tips and tricks to help you get to grips with the audio post-production workflows for content to be delivered in Dolby Atmos Home Entertainment, In part 1, brought to you with the support of Avid, we start with how to set up your Pro Tools session and the Dolby Atmos Production Suite as well as a look at some terminology.